Eli ([personal profile] eub) wrote2011-07-09 03:10 am

eye dialect is vile

In A Montessori Mother, here's Dorothy Canfield Fisher talking about her neighbor. (Figuring that her neighbor won't feel condescended to by this, or that she can't read?)
Not that she was in the least conscious of going through this elaborate mental process. Her own simple narration of what followed runs: "I snatched 'em away from him, and I was mad as a hornit for a minit or two. [...]"
The 'em is signaling a different pronunciation than them would. But hornit and minit are not saying anything different than hornet and minute.* It's pure eye dialect: a non-standard spelling that doesn't even give a non-standard pronunciation.
* At least to me: I read them with the same schwas. Is there some pronunciation difference I'm not familiar with, that hornet/hornit could be meant to signal? The Vulcan over-enunciation of unstressed vowels?

In using eye dialect, the author is signaling "this person's speech is non-standard, but I'm not going to bother to observe in what way." My first thought was that I don't like it because it's lazy writing, but you know, lazy is the least of it. What makes this laziness even possible is that one dialect is privileged as standard, and what the author is implying is that it doesn't matter which dialect the person's speech is. For each non-standard dialect, all that's worth noticing is that it's not the standard. That's all that hasn't been erased from the speech as it's written.

[identity profile] eub.livejournal.com 2011-07-10 08:15 am (UTC)(link)
To me eye dialect generally says that the speaker is uneducated or of low social class, which does signal a difference in sound if I know what that stratification sounds like. (I think Fisher is communicating "1900 rural Vermont", but I don't have an acoustic meaning for that.)

When eye dialect communicates a more specific way of speaking, even if it manages it by sleight of word, I'd consider that a different beast in principle, even if I can't keep class-signification from bleeding over onto it in my head.

(The fact that we have an artificial literary device to signal the class of the speaker is one thing. To do it so that high class is unlabeled and low class is labeled... well, it's inevitable that it'll land that way, but that's what bugs me.)